Garth Fry is a mixed media artist who creates works through a series of repetitious
handmade processes. His methods of creation exemplify labor-intensive practices
and embody aspects of physical endurance. These efforts are paramount to his
practice and are used to instill action within his pieces to preserve performance
in time and space. His creations are investigations of his relationship to materials,
the temperament of meditation though process, and the generation of language
through creative residue.
The materials used by Fry are often excavated or retrieved found objects. His most regularly used medium in his current work is reclaimed wood. This salvaged material creates an intriguing mystery because its exact history is unknown.The marred, discolored surfaces found throughout these repurposed material possess an alluring quality. They reflect a previous life and display a record of time. His extensive manipulation of these materials is intended to reveal the gaps between technological progress and the timeless quality of the handmade.
He often uses a rigid printmaking paper to further demonstrate time and action. The paper allows Fry to explore his practice as a printmaker. The combination of these materials creates a unique and compelling visual experience.
Fry chooses to manipulate his materials with tools that demonstrate the hand and its seemly predictable nature. The tools he uses are as simple as the hammer, chisel, saw, stapler, paint, mop or sledgehammer. Fry is conscious of his body and the activation of materials while using these tools. Through process the tools reflect force and display aggression while promoting the delicate nature of the hand. This is evident through the crafted edges of Fry’s work. The dovetails reveal a structured sensibility, a coming together, while the fractured edges evoke a brokenness or loss. Regardless of the breaks displayed throughout Fry’s structures they are able to withstand the forces of gravity.
The objects and prints Fry creates are typically arranged precariously in space to
challenge the natural force of gravity and test the element of time. In doing this he
relies heavily on chance and flirts with notion of failure. His humble approach is
haunting and ironic.
Broken and Blue up top
2015
96 x 31.5 x 9"
Reclaimed Wood, found Object, Paint
Inside, Outside, Inside
2015
Size to come
Wood, Large formate digital Prints, Plexiglas, Paint
Questioning Systems
2015
107.5"X 10' X 19"
Reclaimed Wood, varnish
Chisel Log
2015
21"X 14' X 3'
Wood Block Print, Reclaimed Wood, Paper
Printed With 02 Toyota Tacoma
Salvaged Glory
2015
66 X 54.5 X 21"
Found Objects, Reclaimed Wood, Glue
Broken to Stand Front Back
2015
1' X 27" X 4"
Reclaimed Wood, Staples
Ornamental Struggle
2015
62 X 37 X .25"
Reclaimed Wood, Staples, Screws
Expressive Construct
2014
35 X 35 X 32"
Paper, Glue, Paint
Self Portrait (Process Relief)
2014
30 X 31 X 6.5"
Paper, Glue, Nails, Paper Clips
Attempting Form
2014
96 X 49.75 X 14"
Paper, Glue, Reclaimed Wood, Clamps, Pipe Supports
Garth Fry explores the psychology of isolation by creating shapes and forms that are void of applied
color. He investigates this concept through his use of raw, coiled paper and glue. The imagery he
creates derives from expressive formations, which upon inspection reveals a terrain of emotion that is
symbolized by a sea of hand crafted coils. Each coil is designed to represent the passing of time and
can be viewed as a statue of tension, a pillar of anxiety, a mark of guilt, a dot of frustration, or a roll
of regret. Visual tension is created through his use of light and shadows, further emphasizing refuge
and loss of identity.
Fry's current works expand into the three-dimensional realm as a result of the personal escape from
solitude. His paper coils are created in a meditative state that allows the exposure of hidden feelings
though a layer-by-layer process.
CYOA (CYOA Detail) 2013 21.5 X 19.5" Paper, Glue, Acid Free Foam Core, Water Color, Varnish |
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Temperament (Temperament Detail) Garth Fry, Dan Gray & Peter Krsko 2013 Honfleur Gallery Washington DC 45 X 64 X 16" Paper, Glue, Steel, Ripped Wood, Bicycle Frame |
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Ghost Skate (Ghost Skate Detail) 2013 32 x 10 x 11" Paper, Glue, Recycled Skateboard |
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Wallflower (Wallflower Detail) 2013 39 x 41 x 4" Paper, Glue |
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If (If Detail) 2013 26 x 26 x 4" Paper, Glue |
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2013 31.75 x 40 x 18.5" Found Objects, Lighting Material, Peep Hole, Paper, Glue, Varnish |
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Cascading Emotions Installation (Cascading Emotions Installation Detail) 2013 Hillery Art Space, Galley Nine Washington DC 95 x 120 x 63" Paper, Glue, Foam Core |
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Put It on The Shelf • 2013 46.5 x 56 x 12" Paper, Glue, Reclaimed Wood, Shelfing Mounts, Paint, Varnish SOLD to Aaron Leslie |
Practicing Patience No.1, No.2 •, and No.3 2013 ø 15.5" Paper, Glue SOLD one of three |
Reclamation Display No.1–19 2013 Hillery Art Space, Galley Nine Washington DC 92 x 57" Paper, Glue, Reclaimed Wood |
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Reclamation No.1 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.2 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.3 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.4 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.5 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.6 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.7 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.8 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.9 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.10 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.11 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.12 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.13 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.14 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.15 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.16 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.17 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.18 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.19 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.20 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.21 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.22 • 2013 Paper, Glue, Reclaimed Wood |
Reclamation No.23 2013 Paper, Glue, Reclaimed Wood |
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Heart on Green (Heart on Green Detail) 2012 16 x 21" Paper, Glue, Acid Free Foam Core, Acrylic Paint, Graphite, Varnish |
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Heart on Blue (Heart on Blue Detail) 2012 Acrylic Paint, Graphite, Varnish |
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Heart on Dark Blue (Heart on Dark Blue Detail) 2012 16 x 21" Paper, Glue, Acid Free Foam Core, Acrylic Paint, Graphite, Varnish |
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Heart on Pink (Heart on Pink Detail) 2012 16 x 21" Paper, Glue, Acid Free Foam Core, Acrylic Paint, Graphite, Varnish |
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Heart on Coffee • (Heart on Coffee Detail) 2012 16 x 21" Paper, Glue, Acid Free Foam Core, Coffee, Graphite, Gesso, Varnish SOLD to Amy Goldwasser |
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Crossroads (Crossroads Detail) 2012 32 x 42" Paper, Glue, Acid Free Foam Core, Varnish |
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Haunted House • (Haunted House Detail) 2012 10 x 10" Paper, Glue, Acid Free Foam Core, Varnish SOLD to Chase W. Rynd |
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Gone for A Walk • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Glowing Star • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Watercolor, Varnish |
Surfer • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Maze • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Skeleton • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Watercolor, Varnish |
Spotted Heart • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Watercolor, Varnish SOLD to Zoe Bennington |
Stars • 2012 14 x 12" Paper, Glue, Acid Free Foam Core, Varnish SOLD to H.K. Anne |
Cascading Emotions • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Sprig of Doubt • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Thoughts Collide • 2012 14 x 12" Paper, Glue, Acid Free Foam Core, Varnish |
Memories • 2012 14 x 12" Paper, Glue, Acid Free Foam Core, Varnish |
Guys Got Heart • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish |
Big Choice • 2012 12 x 14" Paper, Glue, Acid Free Foam Core, Varnish SOLD to Elizabeth Grazioli |
Forecast: Gray and Overcast • 2012 14 x 12" Paper, Glue, Acid Free Foam Core, Varnish |
AK-47 • 2012 38 x 16" Paper, Glue, Acid Free Foam Core, Varnish SOLD to Nitin Gambhir |
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Heart (Heart Detail) 2012 43.5 x 54.5" Paper, Glue, Acid Free Foam Core, Varnish |
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Black Cloud • 2007 16 x 20" Paper, Glue, Foam Core, Varnish SOLD to Elizabeth Minor Back to top of page |
Garth Fry, completed these works of art to coincide with the one year anniversary of the grand opening of Last Exit which is located in the heart of Washington DC's historic Mount Pleasant neighborhood. Fry worked from photographs taken within the bar and surrounding community. The resulting imagery was then illustrated by Fry onto reclaimed wood using acrylic paint watercolors and coffee staining. The effect of using reclaimed wood and purposeful aging conveys a vintage feel which ties the artwork to the historic locality and to the rich history of craft cocktails that are served at the bar.
While a member at the Lee Arts Center, based in Arlington Virginia, Garth Fry began combining serigraphy with watercolors on coffee stained paper. He has used this process to illustrate and screen print posters for musical acts including: We Were Promised Jetpacks, Thee Lexington Arrows, and The 9 Songwriter Series in Washington, DC and New York City. The posters were then sold during the night of the advertised event.
While working as a Graphic Designer, Garth Fry maintained a membership at the Lee Arts Center, of Arlington VA, and continued his printmaking education via a screen printing class at the The Art League, in Alexandria VA. Through the program and use of both facilities, Fry was able to expand and experiment with his screen printing technique. It was then that he tailored his printing process of combining serigraphy with watercolors on coffee stained paper. This method of printing allows him to capture the image's authenticity while introducing a contemporary drawn and painted style. A majority of his images stem from vintage photographs that Fry has collected from flea markets and estate sales from across the US.
Garth Fry was exposed to printmaking during his studies for his Graphic Design BFA at Longwood University. Concentrating in printmaking, Fry learned a number of print processes and used them to create a more modern stylized art. He also created a few additions of images which combined screen printing with black and white photo prints.